Herein, a heat resistant superhydrophobic porous glass membrane is fabricated by the vapor phase growth of a network layer of silicone nanofilaments using economical ethyltrichlorosilane as the only surface modifier. Consequently, oil-water separation under high temperature is rarely explored. Highly efficient oil-water separation based on superhydrophobic materials holds promise however, superhydrophobic surfaces often lose their superhydrophobicity when exposed to hot water.

The title of this artwork comes from a book that Georgette’s dad, Justin, used to read to her, guiding a visualization of a star that is your very own, one which you can carry with you everywhere you go.With the rapid development of industry, oily waste water has caused serious environmental problems. The drawing is on the wall of Cello and Georgette’s kitchen. The album art is a drawing of a star-flower by band member and artist Georgette - titled, “I want you to see above your head a beautiful, beautiful star”. Each song is both personal and allegorical, and looks at connection and the things we are tethered to. Lyrically, the songs trace moments across the two years recording the album, drawing on a repeated lexicon for Cello: of light and refraction butterflies birds and dreaming. There are also sparse moments that draw you to Cello’s direct vocal delivery, for example on the opening track, Sylvan’s Song, and later in The Dove. The arrangements have moments that are layered, warm, and ethereal, where Georgette's driving drums are met with percussive samples, Haz’s synths bend and rise, and Cello’s textured strings stretch across the tracks. The album builds musically from where their previous album, Like Splitting the Head from the Body, left off. “Dreaming of the future again” is a phrase that sprang to mind for Cello as they woke up one morning, and these are the words that tether each song on the album together. Dreaming of the Future Again is Womb’s sophomore album, recorded between 20, between living rooms and bedrooms, and at their dear friend and collaborator Bevan Smith’s backyard studio, Circle Blue Studios.

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